945 rezultatov
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Screening Transcendence - Film under Austrofascism and the Hollywood Hope, 1933-1938(2018) DASSANOWSKY, ROBERT81,31 €
DASSANOWSKY, ROBERT
Screening Transcendence - Film under Austrofascism and the Hollywood Hope, 1933-1938
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Jean-Luc Godard, Cinema Historian(2013) WITT, MICHAELProvides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.48,22 €
WITT, MICHAEL
Jean-Luc Godard, Cinema Historian
Provides a guide to the wide-ranging cinematic, aesthetic, and cultural forces that shaped Godard's groundbreaking ideas on the history of cinema.
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Film Narratology(2009) VERSTRATEN, PETERIn Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.53,40 €
VERSTRATEN, PETER
Film Narratology
In Film Narratology, Peter W.J. Verstraten makes film narratives his primary focus, while noting the unexplored and essentially different narrative effects that film can produce with mise-en-scène, cinematography, and editing.
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Robin Wood on the Horror Film(2018) WOOD, ROBINRobin Wood - one of the foremost critics of cinema - has laid the groundwork for anyone writing about the horror film in the last half-century. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking cri59,41 €
WOOD, ROBIN
Robin Wood on the Horror Film
Robin Wood - one of the foremost critics of cinema - has laid the groundwork for anyone writing about the horror film in the last half-century. Robin Wood on the Horror Film: Collected Essays and Reviews compiles over fifty years of his groundbreaking cri
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Metacinema(2021)In ten new essays on a selection of vital canonical films, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes.62,00 €
Metacinema
In ten new essays on a selection of vital canonical films, contributors chart, explore, and advance the ways in which metacinema is at once a mode of filmmaking and a heuristic for studying cinematic attributes.
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